Lady Phoenix is a beautiful, blazing queen with a magnificent body, effortless class, and a impeccable sense of style — always dressed in stunning fetish attire. Based in London with international availability, she is a highly experienced sensuous prodom, fetish model and content producer with nearly 15 years crafting immersive erotic fantasies.
As the Fantasy Curator, she excels at bespoke scenarios that blend power, beauty and artistry – drawing you in with her hypnotic presence, filthy mind and voracious appetite for kink. Whether through sophisticated femdom, kinky GFE or transformative Xdressing and sissy play, she creates personalised experiences at her fully equipped – Inferno Studio. She specialises in Xdressing & Sissification, Anal & Pegging, Lesdom, Tie & Tease, Foot Worship, and Sensual Femdom. She exudes genuine chemistry, sensual dominance and the ability to make fantasies come to life.
Lady Phoenix can also be worshipped & served on-line. She produces custom clips, films and virtual sessions via her platforms. So make sure you check out her fan sites or you can watch her in action on her clips stores.
Aubrey Beardsley, the great Art Nouveau artist whose work embodied Decadence & Desire, and Victorian Morality Mocking, who sadly died at age 25. (Illustrations here Circa 1890). We have no images of Theresa Berkley.
Who Was the World’s First Dominatrix? Pt2
Theresa Berkley –The First Lady Of ProDomination
The most famous of these female flagellants (and one of the earliest, she pre-dates the Victorian period) was Theresa Berkley, born circa 1750. She ran a high-class flagellation brothel, the ‘White House’ at 28 Charlotte Street (now Hallam Street) Marylebone, London from around 1787 until 1836. She was described as an expert with all implements of torture and her talents became highly sought after by the aristocracy of the day.
All the following quotes are further extracts from the ‘Flagellation’ entry in Ashbee’s Index of Forbidden Books, which I think place Miss Berkley as most certainly, the First Lady of professional domination.
“Her instruments of torture were more numerous than those of any other governess. Her supply of birch was extensive, and kept in water, so that it was always green and pliant: she had shafts with a dozen whip thongs on each of them; a dozen different sizes of cat-o’-nine-tails, some with needle points worked into them; various kinds of thin bending canes; leather straps like coach traces; battledoors, made of thick sole-leather, with inch nails run through to docket, and currycomb tough hides rendered callous by many years flagellation. Holly brushes, furze brushes; a prickly evergreen, called butcher’s bush; and during the summer, a glass and China vases, filled with a constant supply of green nettles, with which she often restored the dead to life.”
“Thus, at her shop, whoever went with plenty of money, could be birched, whipped, fustigated, scourged, needle-pricked, half-hung, holly-brushed, furze-brushed, butcher-brushed, stinging-nettled, curry-combed, phlebotomized, and tortured till he had a belly full.”
“Mrs Berkley has also in her second floor, a hook and pulley attached to the ceiling, by which she could draw a man up by his hands. This operation is also represented in her memoirs.”
The Berkley Horse
In 1828 she began using a custom-built flagellation frame which she referred to as a ‘chevalet’ although it subsequently became known as The Berkley Horse.
“A notorious machine was invented for Mrs Berkley to flog gentlemen upon, in the spring of 1828. It is capable of being opened to a considerable extent, so as to bring the body to any angle that might be desirable. There is a print in Mrs Berkley’s memoirs, representing a man upon it quite naked. A woman is sitting in a chair exactly under it, with her bosom, belly, and bush exposed, she is manualizing his embolon, [wanking his hard cock] whilst Mrs Berkley is birching his posteriors.”
“A woman is sitting in a chair exactly under it, with her bosom, belly, and bush exposed, she is manualizing his embolon,”
In one surviving letter, a customer hearing about the Berkley Horse proffered Theresa Berkley this pricing for her services, “a pound sterling for the first blood drawn, two pounds sterling if the blood runs down to my heels, three pounds sterling if my heels are bathed in blood, four pounds sterling if the blood reaches the floor, and five pounds sterling if you succeed in making me lose consciousness.”
Suppressed Memoirs & A Renounced Fortune
After her death in 1836, her memoirs, which had long been announced for publication, were held back by the executor of her will, Dr. Vance. And, sadly like so much erotica and sexual material from the period was destroyed. It was rumoured to contain compromising letters from certain members of the establishment, “from the highest aristocracy, both male and female, in the land.” Their contents were so outrageous that it was claimed they could have “threatened the very fabric of society.”
The Society of Arts at the Adelphi (now the Royal Society of Arts) took possession of the Horse in 1837, with a public exhibition promoted by radical publisher George Cannon. An illustration of the apparatus is reproduced in the original 1880s edition of Index of Forbidden Books, however, it is unclear what happened to the device.
She left her considerable estate to her brother who had been a missionary in Australia for over 30 years. When he learned the source from which the money had been derived, however, he renounced all claim and eventually the whole estate, valued at £100,000 (about 11 million pounds in today’s money) was handed over to the crown.
So who was the world’s first Prodom – Professional Dominatrix? Let’s define that here as a woman who had perfected her art, had her own chamber with specialist equipment and a generous clientele. Well the word ‘dominatrix’ was not used in its modern sense until the 1960s, where it was 1st coined in erotic pulp fiction and B-movies which brought about its more mainstream use. However, if we put that aside the first documented, established domme, then called a ‘female flagellant’ was the infamous Theresa Berkley… but before we meet her, let’s first set the scene for how the role of today’s dominatrix came into being.
The Flagellation Brothels of Victorian London
Le Vice Anglais
The Victorian era (1830 – 1901) was one of strict and rigid morals, refined sensibilities and repressed sexuality. It was also a period obsessed with erotic corporal punishment evident from the flagellant pornography, erotic literature and documented accounts from the period. So it’s no surprise that a flourishing network of prostitutes offering flagellation to their clients existed, (prostitution was, interestingly, legal). According to Prof. Van Yelyr in The Whip & The Rod (1941), it seems that female flagellants “supported 20 splendid establishments’ in London and was known as ‘the English vice’ ”.
The English Vice – The ‘English’ Mansion The ‘English’ in The English Mansion, the name of this website, is actually a wordplay on this notorious expression and not, in fact, declaring that all our dommes are English, we welcome and showcase dominatrices from all round the world 🙂
Having surveyed the number of whipping whorehouses in London, the Berlin psychiatrist Iwan Bloch (under the pseudonym Dr. Eugen Dühren) in 1909 concluded that, “England today is the classic land of sexual flagellation”. (His studies on sexuality went on to influence Sigmund Freud.)
The Making of Victorian Flagellants
This interest in algolagnia (deriving sexual pleasure and stimulation from physical pain) appears to be the result, in part at least, of experiences of flogging at public school. Ronald Pearsall in Night’s Black Angels – The Forms and Faces of Victorian Cruelty (1975) writes,
“The outcome of the public school predilection for flogging, was that in later life … there were considerable numbers of young men anxious and often desperate to recapture the lost sensations, and for them the flagellation brothels thrived.”
The highly respected 19th century British poet Algernon Charles Swinburne (1837 -1909) was well-known to be totally obsessed by corporal punishment. This was a result of his experience at Eton College, a public school (public schools were actually independent private institutions) and a number of his poems make reference to flagellation including this verse,
S W I S H I N G swishing sounds just so the birch’s kissing blessing bottoms so they glow brightly blushing even bleeding from the mighty bushy blows
It is known that in the late 1860s Swinburne was a regular visitor to a flagellant brothel, believed to be Verbena Lodge at 7 Circus Road in St John’s Wood and whose proprietress was Mrs Doris Addams. So the stage seemed set in Victorian London for the begins of the fledgling world of the Prodom.
Royal Rods & Regency Governesses
In his book, Index of Forbidden Books which was penned in the 1880s, Henry Spencer Ashbee describes how at the beginning of the 19th century,
“… very sumptuously fitted-up establishments, exclusively devoted to the administration of the birch, were not uncommon in London; and women of the town served, as it were, an apprenticeship in order to acquire the art of gracefully and effectively administering the rod. It would be easy to form a very lengthy list of these female flagellants, but I shall restrict myself to mention a few only. Mrs Collett was a noted whipper, and George IV is known to have visited her; she had an establishment in Tavistock Court, Covent Garden…”
So given the King, allegedly was visiting a female flagellant we can see how widespread and acceptable, well in a typically English hypocritically, secretively way, it had become to visit a female flagellant – who were also called ‘Governesses’.
I was truly honoured to receive an invitation from the stunning and formidable Miss Suzanna Maxwell (left) to exhibit some of my personal femdom art collection at her prestigious Decadence event, held at the magnificent Maxwell Manor, last year. Hanging every piece proved a touch too intricate in the timeframe, so we opted for a slideshow instead. The artworks were projected in glorious, larger-than-life scale across the walls of her pristine white boudoir room – creating a display that had everyone hooked.
Over the years, I’ve been incredibly fortunate to be painted, illustrated, and captured by a multitude of exceptionally talented and kinky artists, including: Sardax, Incubus6, Vince Ray, Ruth Ramsden, ShinyHeel/Luxxxley, China Hamilton, Phetishskin, Julian Murphy, Mesmerboy & Fielding. This has allowed me to amass an impressive collection of portraits devoted to myself. Alongside these, I’ve also acquired—or been gifted—a select few other cherished pieces that hold special meaning. To give you all a glimpse of the magic from that evening, I’m going to share a very small selection here on my blog. These are reduced-size versions of some of the artworks that graced the walls—enjoy.
Good BDSM play involves intense physical, sexual, psychological and emotional exchanges, sometimes as a consequence of this the submissive goes into an altered state. This is often referred to as ‘Subspace’. It is a difficult experience to define as it both manifests and is experienced differently by different subs.
What Is Subspace?
Physiological subspace is the euphoric ‘high’ a submissive can enter during an intense scene. It is typically triggered by sustained pain, pleasure, or a combination of both. This triggers the sympathetic nervous system (fight-or-flight response), the body’s natural defense, producing adrenaline, endorphins, dopamineand serotonin. This also happens during intense exercise or extreme sports. They produce an analgesic effect and a feeling of euphoria and exhilaration. This dramatically increases the submissive’s pain tolerance, allowing the scene to reach much higher levels of intensity.
SubDrop
Submissive’s often describe the experience as a floaty, spacey, almost trance-like state—like drifting gently out of your body.These euphoric sensations are one of the reasons many people pursue BDSM; the feeling can be deeply pleasurable and surprisingly addictive. The downside, however, is that the day or days afterward, a submissive may feel emotionally drained, exhausted, sad, or empty. This experience is commonly known as ‘subdrop’, an emotional and physical low experienced by a sub/bottom after an intense scene. It begins anywhere from a few hours to a few days after the endorphin rush fades and can last from several hours to several days.
The Kinky Cocktail BDSM play can prompt the release of key neurochemicals: Serotonin – which promotes feelings of calm, contentment & emotional well-being. Adrenaline – provides the initial rush, heightened arousal, and energy. Endorphins -natural painkillers that also create euphoria. Dopamine – associated with pleasure and reward.
Bondage Bliss It’s important to note that not all physiological subspace experiences are triggered by pain. Many submissives reach an equally powerful ‘natural highs’ through deep relaxation rather than intense stimulation. In prolonged bondage, sensory deprivation, or scenes such as mummification, the body shifts into a profound parasympathetic state — the opposite of the adrenaline-fueled fight-or-flight response. This deep surrender and physical immobilization can trigger the release of calming and pleasurable neurochemicals.
The result is often described as a heavy, dreamy, meditative floatiness – sometimes called ‘rope drunk,’ ‘bondage bliss,’ or a deeply peaceful trance. This type of subspace feels less like an adrenaline rush and more like melting into a warm, heavy, blissful fog. This shows that subspace is not one single experience, but a spectrum. Whether achieved through intense sensation or profound relaxation, both pathways can produce powerful altered states that many find deeply rewarding.
Psychological Subspace
More complicated is psychological subspace – an altered state where you submit so entirely to another you lose yourself, it is overwhelming and not rational. It is closely connected to the acute feelings of lust and love when in a new relationship. And, can be unhelpful if playing with someone you don’t know well as it can make you vulnerable.
A conscientious Dominant partner understands both types of subspace and the significant responsibility that comes with the power they hold. When guided with care, skill, and awareness, this altered state can be used to elevate a BDSM scene to profound levels of intimacy, connection, and shared sexual ecstasy for both the Dominant and the submissive.
I’m going to pick out my prized English Mansion toys and tell you all about them in a series of blogs called ‘These are a Few of My Favourite Things’. So in no particular order:
No. 19 – Leather-Rose Paddle
I absolutely adore this paddle. It is breathtakingly beautiful — a true bespoke masterpiece, utterly one of a kind in the world. Crafted and gifted to me by my dear friends at AES, who specialised in exquisite, hand-made leather CP equipment. It’s a solid wooden paddle with intricate leather inlays of a striking single red rose nestled among sprouting acorns. This picture truly doesn’t do the paddle justice. The level of intricate leather craftsmanship, every delicate petal of the rose and finely detailed acorn has been hand-cut, layered and inlaid with such precision and skill by a expert leather craftsman. This is not just beautiful — it is a true work of art.
The emblem and its symbolism is important – I am the Goddess who surrounds herself with chosen submissives and moulds them into devoted, obedient slaves. I shape them through training and discipline until their loyalty and service grow ever deeper – existing solely in absolute devotion to me within the stable of slaves who belong to me.
And My ‘M’ Paddle What does the M stand for? The M is for ‘Mistress’ but also for the ‘Matriarchy’, The New World Order where woman take over and subjugate all males! I think the world would be a far more peaceful place… though not so tranquil for any recalcitrant beta males. Be warned!
I was also gifted a another handmade wooden paddle from a US devotee, specially made to match my ‘uniformed bitch outfit’. Another treasured implement. Both paddles are completely unique, one-of-a-kind pieces — and together they perfectly represent every single side of my dominance.
When I wrap my hand around either of them, I feel that delicious heavy weight and perfect balance… and I smile knowing exactly what I’m going to do with them. So make no mistake… these are not just decorative ornaments. They are real instrument of correction and I use them without hesitation to keep my slaves firmly in line. They’re real, tangible extensions of my power — devastating reminders and beautiful instruments I use to train, correct and remind my slaves exactly who they belong to!
Welcome to the Realm of Mistress Sidonia Supreme Ruler of The English Mansion. Leather clad 'n' booted bitch, highly sexed martinet & cruel male slave trainer
The English Mansion only advocates and engages in responsible, moderate and safe BDSM activities between consenting adults. All filmed scenes are clearly consenting adult role-playing games. Video statements of consent retained. All persons participating in The English Mansion are over 21 years old, photographic proof held on file. No activity at The English Mansion breaks the participant's skin or puts their health at any risk.
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